2017 Orchestral Music with Electronics

Fragile Territories

For Big Orchestra and Electronics

Video

Live performance at Laeiszhalle Miralles-Saal, Hamburg with Hamburger Symphoniker

Concept

Commissioned by Hamburger Symphoniker, Fragile Territories constructs entire orchestral universe from single acoustic event: the oboe's tuning A at the work's beginning. This pitch—traditionally preparation before real music—becomes generative source material, its spectral components analyzed and distributed across full orchestra.

The work explores fragility in multiple dimensions: instability of orchestral intonation pushed to microtonal precision, precariousness of complex spectral structures, and vulnerability inherent in all living sound—accents and traces arising from physicality of breath, reed, string, and membrane.

The piece unfolds as series of epiphanic events, sudden illuminations revealing hidden territories within familiar tuning note. Each orchestral gesture emerges from spectral partials extracted from oboe's tone—difference tones, combination frequencies, resonant peaks, noise components. Formal structure operates through accumulation and dissolution, punctuated by moments where orchestra momentarily coalesces before dissolving back into spectral dispersion.

Specifications

Premiere Laeiszhalle Miralles-Saal, Hamburg — June 22, 2017
Duration 15 minutes
Instrumentation Large orchestra + electronics
Commission Hamburger Symphoniker
Tools AudioSculpt, Ableton Live, Max/MSP, Sibelius
Playback Format Stereo

Documentation

Fragile Territories - SDIF analysis patch

Max patch analyzing SDIF file containing spectral components of the oboe's A

Fragile Territories - Distortion morphing patch

Max patch calculating distortion and morphing processes for spectral transformation

Credits

Composition
Alessandro Anatrini
Commission
Hamburger Symphoniker
Premiere Performance
Hamburger Symphoniker
Venue
Laeiszhalle Miralles-Saal, Hamburg